Rafael Acosta

Assistant Professor
Primary office:
2620 Wescoe


Summary

Rafael Acosta grew up grilling under the shade of the Río Bravo's pecan trees. His current research projects involve the political and legal matrices of affect that develop around culturally relevant stories and narrative figures. That or how stories convince us to do (or not to do) things in the political arena. His research interests focus on a notion of Comparative Literature that uses Mexico and the United States (instead of the France-England-Germany axis) as the nexus of meaning that allows for interpretation. He studies the narratives of these countries in conjunction with other European or narrative constructs, for example, studying the kinship of Drug runner ballads and the Illiad, in order to develop a concept of an economy of honor and glory and to examine how literary representations of the Drug Lord develop notions of political legitimacy that belie social contract theories: how the Aeneid and the Trojan’s nation building narrative relates to other stateless nations identitary narratives, specifically in the construction of Chicano Aztlán through prison narratives, or how the Cormac McCarthy’s nomad dystopias in Blood Meridian help us analyze the dangers of the territory of exception where the judiciary power carries out its functions. 

His current book project, Druglords, Bandits, Cowboys and Illegality in the Mexican American Frontier, reflects on how narratives of the frontier provide a political laboratory for the political production of the center, and how these narratives are used to further political goals. He analyzes narrative in literary, cinematic and musical form, referring to works by Américo Paredes, Luis G. Inclán, Clint Eastwood, Rolando Hinojosa, Yuri Herrera, and Cormac McCarthy.


Announcements
  • This article, written by Geoffry Newman, was published in the August edition of the Kansas History Journal. Congratulations Geoffry!
  • Rachel Schwaller and Saoussen Cheddadi successfully defended their respective dissertations on October 29, 2018. Congratulations, Drs. Schwaller and Cheddadi!
  • Congratulations to Ph.D. candidate Kathryn Vaggalis for being awarded the American Studies Association's 2018 Gene Wise-Warren Susman Prize!
  • Dr. Gamze Kati Gumus defended her dissertation with honors on May 10, 2018. Congratulations, Dr. Kati Gumus!
  • KU-AUMI InterArts was recently featured by the Commons in a video on improving inclusive communities at KU. You can watch the video, which features our own Sherrie Tucker amongst other founders of the movement at KU, and learn more about AUMI here!
  • Congratulations to Professor Robert Warrior on being elected to a member of the prestigious American Academy of Arts and Sciences.
  • This articlewritten by Ph.D. candidate Hannah Bailey, was published in the latest edition of Soundings: An Interdisciplinary Journal. Congratulations, Hannah!
  • We would like to recognize Patrick Sumner, 2005 alumni, for his work in this article about the defacement of the John Brown memorial in the Quindaro area of Kansas City, Kansas.
  • Congratulations to Dr. Jonathan Burrow-Branine for successfully defending his dissertation with honors January 25, 2018.
  • Please read this article about Professor Robert Warrior titled: Native scholar uncomfortably at home in American studies field.
  • Congratulations to Daniel Carey-Whalen, an alumni that was recently promoted as UTEP's Centennial Museum director.
  • Congratulations to Josh Parshall, an alumni who was recently featured in this article.
  • How a motion-tracking musical software is breaking down barriers for people with disabilities: click here to read more about the Adaptive Use Musical Instrument (AUMI), a one-of-a-kind piece of inclusive technology that promotes musical improvisation. The article recognizes Professor Sherrie Tucker, who started AUMI jam sessions and helped to bring the grant and symposium for it to Lawrence. Written by Omar Sanchez
  • KU Special Education Department: With Ray Pence
  • Tribute Or Tribulation? How do we commemorate history? What is the best way to remember a conflicted and painful past? And who gets to decide? Listen here »
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