Miller, L., & Tucker, S. (11/4/2017). AUMI: Improvisation across Abilities in Collaboration and Community. Legacies of Pauline Oliveros. Brooklyn College, New York
Haaheim, K., & Tucker, S. (10/21/2017). Improvising Inclusive Communities. International Symposium on Assistive Technology for Music and Art. EMPAC, Rensselaer Polytechnic Institute
Tucker, S. (9/1/2017). The Best of Jazz, The Worst of Jazz: Why I've Been Playing the Adaptive Use Musical Instrument. Re/Sounding Jazz. Rhythm Changes, Amsterdam, The Netherlands
Tucker, S. (5/11/2017 - 5/12/2017). Interrogating the Nation/Repositioning U.S. Music in the 21st Century, Exploratory Seminar, Radcliffe Institute for Advanced Study, led by Carol Oja and Charles Hiroshi-Garrett. Harvard University
Tucker, S. (1/21/2017). Jim Crow Away From Home: Dance Floor Democracy at Three California USO's.
"World War II and the Home Front in Southern California," Historical Society of Southern California Annual Conference. University of Laverne, California.
http://thehssc.org/events/annual-conference/Abbey, D., Sherrie, T., Kip, H., & Elizabeth, B. (4/9/2016). "'Do you AUMI?' Using the Adaptive Use Musical Instrument (AUMI) in Clinical and Research Settings". Midwestern Regional Conference of the American Music Therapy Association. St. Louis, MO
Tucker, S. (2/5/2016). Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen. Music Department, Case Western University. Cleveland, Ohio
Tucker, S., Callahan, D., Randall, A., Hairston-O'Connell, M., McMullen, T., Murchison, G., ...T. A. (12/12/2015). Where is the Jazz in Jazzercise?. Women, Music, Power: A Celebration of Suzanne G. Cusick's Work. Columbia University, New York
Tucker, S. (10/8/2015). A Conundrum is a Woman-in-Jazz: Continual Improvisations on the Categorical Exclusions of Being Included. Judy Tsou Lecture. Skidmore College
Tucker, S. (10/3/2015). A Conundrum is a Woman-in-Jazz: Continual Improvisations on the Categorical Exclusions of Being Included. JazzForum. Jazzinstitut Darmstadt
Barg, L., Kernodle, T., Spencer, D., Tucker, S., & Hairston-O'Connell, M. (8/7/2015). The Research Needs of All of Us: Bridging Scarcity with Collaborative Praxis.
Feminist Theory and Music XIII. Madison, WI.
http://www.femtheorymusic.org/Boresow, E., Dvorak, A., Heffner Hayes, M., & Tucker, S. (6/7/2015). AUMI-KU InterArts. Improvisation and Community Health. Montreal, Quebec, Canada
Hairston-O'Connell, M., & Tucker, S. (11/9/2014). Revisiting Central Avenue through Melba Liston’s Oral Histories. American Studies Association. Los Angeles, California
Tucker, S. (11/14/2014). Writing on a Crowded Dance Floor: a Multi-perspectival Approach to Raced and Gendered Bodies in Co-Motion at the Hollywood Canteen (1942-1945). National Women's Studies Association. San Juan, Puerto Rico
Mizumura-Pence, R., & Tucker, S. (7/10/2014). Four Rehearsals and a Performance: Practice Based Research at AUMI-KU InterArts. Deep Listening Art/Science Conference. Rensselaer Polytechnic Institute, Troy, New York
Tucker, S. (4/4/2014). Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen. Music Department, American Culture Department, and Center for the Humanities. Washington University, St. Louis
Tucker, S., Wong, D., & Gonzales, M. (4/26/2014). Improvising New Communities with Bodies in Motion Roundtable. Pop Conference. Experience Music Project, Seattle, WA
Tucker, S. (2/22/2014). Not the Whole Story(ville): Learning from New Orleans Jazzwomen. Carolina Jazz Festival. University of North Carolina, Chapel Hill, NC
Tucker, S. (3/13/2013). Not the Whole Story(ville): Learning from New Orleans Jazzwomen. Sylvia Frey Lecture, New Orleans Center for the Gulf South. Tulane University, New Orleans, LA